Winners

• Jeff Bridges

Bad Blake

• Christoph Waltz

Col. Hans Landa

• Sandra Bullock

Leigh Anne Tuohy

• Mo'Nique

Mary

• Peter Docter

• Rick Carter
• Robert Stromberg
• Kim Sinclair

• Mauro Fiore

• Sandy Powell

• Kathryn Bigelow

• Louie Psihoyos
• Fisher Stevens

• Roger Ross Williams
• Elinor Burkett

• Bob Murawski
• Chris Innis

Argentina

• Barney Burman
• Mindy Hall
• Joel Harlow

• Michael Giacchino

• T Bone Burnett
• Ryan Bingham

The Weary Kind (Theme From Crazy Heart)

• Kathryn Bigelow
• Mark Boal
• Nicolas Chartier
• Greg Shapiro

• Nicolas Schmerkin

• Tivi Magnusson
• Joachim Back

• Paul N.J. Ottosson

• Paul N.J. Ottosson
• Ray Beckett

• Stephen Rosenbaum
• Joe Letteri
• Andrew R. Jones
• Richard Baneham

• Geoffrey Fletcher

• Mark Boal

• Lauren Bacall

• Roger Corman

• Gordon Willis

• John Calley

• Fox Film Corporation
• Christophe Hery
• Per Christensen

Digital Imaging Technology

Much faster than previous ray-traced methods, this computer graphics technique has enabled color bleeding effects and realistic shadows for complex scenes in motion pictures.

• Dr. Richard Kirk

Laboratory

Through the use of color management software and hardware, this complete system enables accurate color presentation in the digital intermediate preview process. The Truelight system is widely utilized in digital intermediate production environments around the world.

• Volker Massmann
• Markus Hasenzahl
• Dr. Klaus Anderle
• Andreas Loew

Laboratory

The Spirit 4K/2K has distinguished itself by incorporating a continuous-motion transport mechanism enabling full-range, high-resolution scanning at much higher frame rates than non-continuous transport scanners.

• Michael Cieslinski
• Dr. Reimar Lenz
• Bernd Brauner

Laboratory

The ARRISCAN film scanner utilizes a specially designed CMOS array sensor mounted on a micro-positioning platform and a custom LED light source. Capture of the film's full dynamic range at various scan resolutions is implemented through sub-pixel offsets of the sensor along with multiple exposures of each frame.

• Fox Film Corporation
• Wolfgang Lempp

Laboratory

Developed for the digital intermediate and motion picture visual effects markets, the Northlight scanner was designed with a 6K CCD sensor, making it unique in its ability to produce high-resolution scans of 35mm, 8-perf film frames.

• Fox Film Corporation
• Steve Chapman
• Martin Tlaskal

Laboratory

Baselight was one of the first digital color correction systems to enter the digital intermediate market and has seen wide acceptance in the motion picture industry.

• Fox Film Corporation
• Mark Jaszberenyi
• Gyula Priskin

Laboratory

Lustre is a software solution that enables non-linear, real-time digital color grading across an entire feature film, emulating the photochemical color-timing process.

• Brad Walker
• D. Scott Dewald
• Bill Werner
• Greg Pettitt

Projection

Working in conjunction with the film industry, Texas Instruments created a high-resolution, color-accurate, high-quality digital intermediate projection system that could closely emulate film-based projection in a theatrical environment.

• Sean Penn

Harvey Milk

• Heath Ledger

Joker

• Kate Winslet

Hanna Schmitz

• Penélope Cruz

Maria Elena

• Andrew Stanton

• Donald Graham Burt
• Victor J. Zolfo

• Anthony Dod Mantle

• Michael O'Connor

• Danny Boyle

• James Marsh
• Simon Chinn

• Megan Mylan

• Chris Dickens

Japan

• Greg Cannom